There’s no question that while gaming technology advances, there’s still a soft-spot for old-school style games. Enter Exile’s End: a 16-bit, 2D Metroidvania game where players take controls of Jameson. Add in the fact that Keiji Yamagishi (the famous composer known for his work on the Ninja Gaiden and Tecmo Bowl soundtracks during the NES era) is on board to compose this game’s soundtrack and we’ve got a sure fire bet, right? Well, let’s see how this indie fares.
As mentioned, players assume the control of Jameson, an older, yet much more experienced worker of a mining crew. Contact was lost with a crew set out at a planet and a new crew is sent in to discover their whereabouts. However, things go wrong really quickly, leaving Jameson trying to find any survivors from his crew, as well as the ones already missing. Upon landing, Jameson’s equipment is damaged and will need to find comparable equipment to go about his search. As you explore, you start to uncover a conspiracy that was occurring at the installation on the planet, and things tend to develop more. It’s a standard fare storyline that’s ultimately forgettable, but still passable.
Now, Metroidvania style gameplay is a great start to the idea of the game. But here is where things are not as great as it sounds. Exile’s End does its best to replicate games of its stature, whether it be Metroid, Flashback, Another World, etc. The problem is the game’s slow-pacing. Upon starting the game, Jameson has no weapon other than rocks. Unfortunately, just throwing these to take out worms on the planet is a chore. You have to guestimate the distance Jameson throws the rock, and seems to have a much more overarching throw than expected. Later on, you finally acquire a handgun. However, the gun controls feel really stiff. As a matter of fact, the combat in general is just plain dull and uninspired.
The game is a bit punishing on difficulty as well, and for the wrong reason. The game constantly saves your progress every time you enter a room or area. So should you enter an area with the slightest sliver of health and then die, you will continue the game from the beginning of that room, with that exact health amount. Even ammo or any items all remain exactly as is. While I’m all for a good challenge, this issue could’ve been rectified by just having save rooms so that you’re not forced to stick with your current status in case you screwed up. Also, enemy placements will leave you firing off the screen constantly to ensure they don’t fire at you first.
Throughout the game’s 3-5 hour story, you will explore a variety of environments. Exile’s End does a great job utilizing its old-school presentation and conveying a really great atmospheric feel. Backdrops and foregrounds look really good, where some nice attention is indicated from planet life showcasing in the backgrounds. Whether you’re in the jungle, a research facility or caves, they each have very moody tones to them. Animations are a little on the stiff-end, but completely serviceable. Cutscene art looks quite good though, having a bit of a Ninja Gaiden look to them.
The game does really push atmosphere, and composer Keiji Yamagishi does a superb job lending to a dark soundtrack. No matter the location, the soundtrack really nails each area. It’s great to see such an iconic composer return and still produce some amazing stuff. It’s honestly the strongest aspect the game has going for it. Even if the tunes get a little repetitive due the game’s pacing, they’re still very memorable. Sound effects are also well done. Firearms, creatures’ audio cues, and ambiance, are all appropriate and sounds like a 16-bit era game.
Exile’s End is a solid effort at tackling the Metroidvania concept. The thing is that it’s not all that engaging to keep sticking with. Outside of the great art style and soundtrack, the gameplay itself is just serviceable at best. Die-hard Metroidvania fans may be interested in giving it a go, and fans of Yamagishi-san’s soundtrack will want to experience his work, but players will have to endure the slow-pacing and odd design choices.
Overall Score: 6.0 out of 10
A special thank you to the publisher for providing us a review copy for Exile’s End! Copy reviewed on PS4.
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