Marcello is the founder, creator and editor-in-chief of GamersXtreme. His dedication and passion shows as he keeps gamers informed with daily news articles and provides truthful, honest opinions on all gaming related news. Having experience with video game design, as well as over 20 years of gaming under his belt, Marcello has always had a massive interest in the gaming society. Originally, he created GamersXtreme in the style of a magazine back in middle school. Today, he has taken what was created as a basic premise and has evolved it into the site it is today.

Gear.Club Unlimited Racing Exclusively to Nintendo Switch this Year


The Switch has been a roaring success for Nintendo, and many developers and publishers have been jumping on board seeing this success. Gear.Club Unlimited is the latest title coming from developer Eden Games, the team behind the Test Drive Unlimited series. Published by Microids, this Switch exclusive title is looking to fill that racing sim void on Nintendo’s newest platform.

Here is what the press release had to say about the game:

For the first time on Nintendo Switch, players will discover an authentic racing car universe with Gear.Club Unlimited. They will approach the most incredible rides currently on the market, vibrate to the sound of high power engines to live a driving experience second to none in the most beautiful cars in the world.

With this trailer, which reveals the first images of gameplay, players will discover that these vehicles can be customized according to their taste and improved to make them more powerful.

Players will also be delighted to discover the first 16 super cars that will make up part of the game’s roster.

AC 378 GT Z

Alfa Romeo 4C

Alfa Romeo 8C Competizione

Bugatti Veyron GrandSport

Chevrolet Camaro 1LS

Chevrolet Corvette Stingray

Dodge Challenger RT/Scat Pack

Jaguar F-Type R AWD

Mercedes-AMG C63 S

Mercedes-AMG GT S

Mercedes-AMG SLS Black Series

Nissan 370Z

Nissan GTR

Pagani Huayra Roadster

Ruf RT12 R

Ruf CTR 3

Gear.Club Unlimited offers players the opportunity to test their racing skills on over 400 races in 3 modes:

• Derby mode: where players will challenge up to 7 other drivers.

• Rally mode: 4 drivers will compete on off-road tracks where drift will be essential to win the race.

• Time trial mode: where it will be necessary to achieve the best time.

Each championship won will unlock new vehicles, new car improvements and new races. Thanks to the modularity of the Nintendo Switch, players will benefit from Eden Games’ expertise in racing games anytime, anywhere, in handheld mode or docked using a home theater, alone or with friends!

Gear.Club Unlimited is set to release on December 1st, 2017 and will have a retail release. Check out the first gameplay trailer, screenshots and box art below!


What are your thoughts? Is this a title that interests you for the Switch? Sound off in the comments below.

Phantom Trigger Review (Switch/PC) – “Worlds Collide”

Phantom Trigger is the latest indie to hit the Nintendo Switch courtesy of TinyBuild and Bread Games. This pixelart, top-down hack-and-slash, or “neon slasher” as the developer calls it, has you slashing, whipping and punching vile creatures through various environments. Is this hack-and-slash worth the experience?

Phantom Trigger has you start off playing as Stan, an ordinary human being who is married and trying to get through life. Things take a turn for the worse very quickly though, as Stan collapses on the kitchen floor in front of his wife. Suddenly, you will play as a different character known as the “Traveler” in a fictitious world that has zero semblance of reality. This distorted world has you meeting outlandish characters, each of which help hint at what is going on. As you progress, the game will instantly switch from gameplay in the distorted world, to seeing what is happening with Stan in the real world. There are times when you will choose the dialogue for both characters to carry a tone and weight to the story. Certain items you collect and how you utilize them will also affect the ending. While it doesn’t take long to realize what is really going on here, the premise is really intriguing. Phantom Trigger’s story is by far its main highlight. It’s a very engaging story that tackles a fairly important struggle in reality.

The game is a hack-and-slash at its core with some RPG elements in place. Playing as the Traveler, you will wield three weapons in hand: an ice sword, energy whip, and fire gauntlets. You can do three-hit combos, and each hit will garner XP for the weapon used. Each weapon is mapped to the face buttons and accessible at all times. As you level up your weapons, you will unlock various mix-and-match combos that will help when dealing with groups of foes. Certain combos may provide an elemental attack that can freeze enemies in place, burn them gradually, or even draw enemies in upon a small blast. Also, the Traveler has the ability to teleport dash, whether for dodging during combat or simply to move around faster. As you progress through the game, enemies will ramp up in numbers and variety. You will feel the combat intensifying the further you progress. If things get too hectic for you, you can always grab a buddy to play local co-op together. There are times when you can breeze past combat, but several segments where the environment will be sealed around you, forcing you to defeat everyone before advancing.

When you’re not fighting for your survival, you will be scouring the environment finding obscure items and solving puzzles. This does help break up the combat a bit. The items collected will seem odd or even out-of-place, but by the end, they are there for a reason. There are occasionally shrines you will come across as well that will boost your XP for specific weapons. Each weapon can reach up to level 7, which is the max. By the end of the game, you will have maxed out all three wielded weapons without any issue or unnecessary grind (unless of course you didn’t mix up your combat). Certain areas will require some minor puzzle-solving to open locked doors. This can consist of playing essentially “Simon Says” by hitting totems in a right order with the right colored ability, or moving a mine cart around a maze of tracks to collect a specific item. It does help break up the pacing of the game. Also, the end of each level has you facing a boss. These boss battles will require your wits and thinking outside the box to solve. The bosses are actually well-done for the most part, but one particular boss will really have you scratching your head that resulted in pure luck to figure out. Upon beating the game, there’s an Arena mode to unlock, which is basically an endurance mode.

Phantom Trigger does have some issues unfortunately that do hurt the overall package. First off, the game’s initial load time takes almost one minute just to get to the main menu. That is a very lengthy loading time, especially where it’s just a single image to look at that would make you think the game froze. Second, there are several times during dialogue sequences where some of the words are misspelled. Third, the framerate takes quite a hit during combat, specifically in the second half of the game where there are significantly more enemies on-screen. Third, there are some collision detection glitches that occurred. There were two times when I was able to run through a wall. There was a combat sequence where I was closed off from escaping, yet I was able to run right through the barrier. This segment I tested a few times and it was always the same spot and barrier I could run through. There’s a segment with a mine-cart that shows the cart continuing off the track and out of the level entirely. What’s strange is if you run in the opposite direction and then run back to where the mine-cart should’ve stopped, it will magically appear there. Thankfully this is a glitch that fixes itself, but happened almost every other time the mine-cart hit a corner it was supposed to stop at. Now the game features four different endings, which means you’ll need to replay the game a few times to see each ending (should you make the right choices). Unfortunately, there is no New Game + mode to make it easier to return to. Combat is neat and all, but it does get repetitive after a short while. Also, the game’s checkpoint system is a bit flawed. I’m all for challenging games, but checkpoints are very easy to bypass here, and dying can set you back upwards to ten minutes of progress. May not sound like a lot, but it adds up when you keep dying in the same spot. Lastly, the level designs can be maze-like, and there is no map system what-so-ever. While checkpoints usually direct you on where to go, it’s very easy to find yourself going in circles or getting lost.

Visually, Phantom Trigger is a nicely detailed pixel-art title. Animations are pretty smooth for all the characters, and the environments all have a specific style to them. The game runs at 60 fps…well, it tries to but ends up dropping closer to 30 fps most of the time. It doesn’t make the game unplayable by any means, but the drops were very noticeable and consistent. Audio wise, the soundtrack that is here accompanies the game decently, but nothing that stood out. Honestly, the music takes a backseat for most of the experience. Sound effects on the other hand do a great job of distinguishing the combat. Each attack from the weapons have a distinct, almost musical, tone to them. Even the audio that plays when you get closed off in an encounter just sounds very cool. I just wish the soundtrack stood out more during the game.

Overall, Phantom Trigger is a neat game that tells a gripping plot. The story alone was the driving factor to see where it was going next. In terms of gameplay, what is here is solid, but certainly repetitive. Couple that with some technical issues and odd game design decisions, and it just feels like a little more time was needed to polish it up. It’s a good game that’s worth your time for its story, but it was hard to return to upon completing it.

Overall Score: 6.5 out of 10 = Wait for a price drop…

A special thank you to the publisher for providing us a review copy for Phantom Trigger! Copy reviewed on Nintendo Switch.

Enjoy our review? Be sure to follow us on Facebook and Twitter: @GamersXTREME for the latest in gaming news and reviews.

Curious to how our review system works? Check out the About section.

Retro City Rampage DX Review (Switch) – “Old-School Perfection”

When it comes to gaming, the late 80s and early 90s era was one that many found to be the golden age of gaming. Simplistic, yet addictive and downright fun games where you didn’t focus so much on getting those “cinematic experiences”. Back in 2012, Brian Provinciano released a dream title of his, Retro City Rampage. Single-handledly developed by him over the course of five years, it released to consistent high praise. In early 2014, he released an updated version called Retro City Rampage DX, which tweaked a variety of elements to fine-tune the game even further. Vblank Entertainment has tried to bring this game to virtually every platform possible (it even got an MS-DOS version!). With the studio’s latest game, Shakedown Hawaii, preparing for release, they’ve decided to also bring their predecessor to the Nintendo Switch. How does the title fare on Nintendo’s new platform?

Retro City Rampage DX is a top-down, GTA style game with 8-bit visuals. You’ll take control of Player, who’s looking for some dirty work to make some cash. From here, he’ll partake in a wild adventure that’ll span over a few decades of gaming and pop-culture that influence the city of Theftopolis. Right from the beginning, you’ll be pulling a bank heist that replicates the intro of The Dark Knight, then run into a time machine to evade the cops, teleport back in time, meet up with Doc (Back to the Future reference) and “borrow” his DeLorean. From there, you’ll be working with Doc to get the DeLorean working again and if Player’s journey wasn’t wacky enough already, the events that await him are only more above and beyond. There’s even a mission where you’ll plant bombs underneath the dam, which happens to be the same area as the bomb defusing mission from the original TMNT NES game, electric seaweeds and all. It’s these moments where the game shines at its top.

As I mentioned before, Retro City Rampage is a GTA style game where you have the whole city of Theftopolis to explore at your disposal. When it comes to combat, there are a whole variety of weapons you can utilize. Interestingly, there are two forms of shooting mechanics: standard lock-on and twin-stick shooter. Fans of twin-sticks will really dig this feature and those who feel that locking-on to enemies is easier for them can go that route too. This gives players options so they don’t feel restricted to only one style. You’ll have your standard firearms but also get weapons that pertain to classic franchises such as Ghostbusters, Bionic Commando and Zelda, just to name a few. These mechanics apply not only to firearms, but melee weapons as well. There’s also a cover mechanic in place that works pretty well. Simply pressing the X button near an object will let Player snap to cover and you’ll be able to move around, peek out of cover and take aim at enemies with ease. If you’re evading enemies, you also have an “air stomp” ability so that you can get the drop on foes. Later in the game, you’ll upgrade this ability to the point where enemies go flying away from your stomps (thanks to a “Radioactive Plumber”). Handling vehicles is very accessible and easy to grasp. All the vehicles have their own speed and handling differences but no matter which type it is, they’re incredibly simple to use. Vehicles range from your average cars, to the TMNT van (which has a Ninja Turtle driving it), to bikes and skateboards, and even shopping carts.

Brian Provinciano clearly has a love for the classic gaming era and it shows. The city is superbly crafted, littered with gaming and pop-culture references around every city block. Whether you come across “Bimmy and Jimmy’s” (Double Dragon), Pizza Gaiden (Ninja Gaiden), and billboards that pertain to certain 80s/90s culture, Retro City Rampage DX is littered with a ton to see. You can go to a variety of places to change Player’s hairstyle and overall image, and there are a ton of different styles to choose from (over 200 styles). Should you come across specific guest appearances in the game, you’ll get the ability to play as them. There’s also Nolan’s Arcade, which contains three mini-games based on other particular franchises out there. You’ve got Bit.Trip Runner, Virtual Meat Boy and Epic Meal Time. Bit.Trip Runner is exactly what you’d expect if you’ve played it before. If you’ve never experienced it before, it’s a title where you’ll run along a 2D plane and have to jump and kick your way to the end of the stage while collecting the coins. It starts off simple, but quickly ramps up in difficulty. Virtual Meat Boy plays like a Rad Racer, where you’ll run along a trap-infested street and have to perfectly dodge everything coming at you. As the title insinuates, you’ll view the game with a Virtual Boy filter and should you have red and blue 3D glasses, you can use those to view the game in 3D. Lastly is Epic Meal Time. Here you’re presented with a Mortal Kombat “Test your Might” mechanic in which you must rapidly button press to fill up your meter and press the action button after passing the success line to dig in to that food and survive. These mini-games are a ton of fun to play and found myself coming back to Nolan’s Arcade quite often during my downtime.

Upon completing 62 story missions, you can still free roam the city and raise complete carnage. there are also 40+ additional Arcade mode missions to tackle on the side. All the Arcade missions provide a solid challenge and will keep you occupied for some time if you try to achieve a gold medal in each one. There’s also leaderboard support for all of these missions, as well as for the story mode. For those that like to watch replays of their footage, you can save footage of anything you’ve done in-game as well. After completing the story, you’ll unlock “Retro City Rampage Turbo” mode, which greatly accelerates the game’s speed.

When I last review RCR back in 2012, I had mentioned that my main gripe was the unbalanced difficulty curve. With the DX version, the difficulty has been rebalanced to be much less frustrating. That’s not to say the challenge has been removed, but certain missions were absurdly difficult in the original release. The tweaks made here are very noticeable and make progressing through the story much more enjoyable. Also the HUD and camera have been tweaked. In the original, there was a status bar on the top of the screen. Now the layout is much cleaner, removing the bar entirely for more in-game screen space. However, the original status bar can be turned back on in the Options menu. Additionally, the camera has been adjusted to be zoomed-in a bit, bringing you closer to the action. This truly made the gameplay feel even better than it already was. Like the HUD though, you can adjust the camera zoom from between 1x to 3x.

The visuals in RCR DX are absolutely spot-on. The 8-bit style works perfectly here, full of vibrant and detailed sprites, while running at 60 fps. Everything about it screams retro, between its color palette, sprite designs and animations. To make things even more retro and in-depth, there are a ton of visual filters and frames to mix-and-match to your liking. Want an old-school TV frame with scanlines and NES color imaging? You can do that. Want to play the game with a Game Boy frame and color filtering? You can do that too. You can even make the game have SEGA Genesis, Virtual Boy, Black and White, and MS-DOS color filtering! Just toying around with these settings and seeing the different visual styles appearing on-screen is an absolute blast. In terms of audio, you’ve got over 2 and a half hours of 8-bit composed music from Jake “Virt” Kaufman (Bloodrayne: Betrayal, Double Dragon Neon, Shantae), Freddy DNA (NBA Jam) and Norrin Radd. The soundtrack really fits the game perfectly and I could see myself driving around town listening to this. It’s a retro-style soundtrack that’s very memorable.

Retro City Rampage DX takes everything that made the original awesome, and further refines it to perfection. RCR DX oozes of beloved gaming and pop-culture references that is impossible not to smile or chuckle at. The amount of content and features are staggering, but what makes it stand out even more is that it was all done by a single person, not a 600 person studio. Retro City Rampage DX is an absolute must-own title and Switch owners should not dismiss this title by any means.

Overall Score: 10 out of 10 = BUY IT!

A special thank you to the publisher for providing us a review copy for Retro City Rampage DX! Copy reviewed on Nintendo Switch.

Enjoy our review? Be sure to follow us on Facebook and Twitter: @GamersXTREME for the latest in gaming news and reviews.

Curious to how our review system works? Check out the About section.

Infinite Minigolf Review (PS4/X1/Switch) – “Minigolf Times Infinity”

Zen Studios has certainly acquired quite the reputation with their excellent Zen Pinball titles, which are available on almost every platform to date. Since then though, the team has only worked on a few titles outside of their big pinball hit, such as Punisher: No Mercy and Planet Minigolf (both of which were PS3 exclusive titles). After some time, they’ve decided to take a break from their pinball roots and return to a familiar field, minigolf. Infinite Minigolf has now released for PC, PS4, X1, and Switch, and is a sequel to Planet Minigolf. Is this minigolf game worth the putt or is it a complete bogey?

Minigolf has always been about varied, fun locales brimming with imaginative set pieces and scenery. With Infinite Minigolf, the wacky locales are here, but as are some unique twists. This isn’t your typical minigolf game, but rather a more fast-paced, over-the-top game of putt-putt. You will enter tournaments across three different locales: Giant Home, Nightmare Mansion, and Santa’s Workshop. Giant Home is kind of like Andy’s Room from Toy Story, with plenty of toys and games that fill up the environment. Nightmare Mansion is your Halloween-themed environment full of bats, spiders, swinging spike pendulums and tombstones. Lastly, Santa’s Workshop is your snow-filled, Christmas-themed environment filled with elves, candy canes, presents and plenty of ice. Each locale feels very unique and provides their own identity (and challenges) to each course.

Infinite Minigolf is not about getting the ball sunk into the hole with the least amount of hits. Well, it is, but the game revolves around who can get the highest amount of points within nine holes. Throughout each of the courses, there are blue orbs littered around to collect, as well as a purple diamond. Getting these will bump up your score quite a bit, especially the purple diamond. Additionally, the real curve ball mechanic are the power-ups that are attainable at each hole. These power-ups range from rocketing a ball forward, getting full control of where the ball rolls (within the momentum the ball has from the hit), stopping a ball in place, blasting items away from your ball, magnetizing the ball into the hole, etc. These really change the dynamic of the game and really help push the fast-paced flow of gameplay. Controls also help with the game’s flow, and are quite simple for anyone to grasp. You can turn the character with the left analog stick, and then control the power of the hit by pulling back on the right analog stick. You can control the power meter by slowly maneuvering the right analog stick from its centered position and all-the-way back, and vice versa. Any other buttons to use are highlighted on the game’s HUD. It’s simple and intuitive, making it accessible for anyone to play.

The game’s core mode is the Tournament mode. You go up against three AI opponents and compete to have the highest score by the end of the nine holes. There are four tournaments in each of the three locales, with three difficulties to work your way up through. However, the game’s highlight is by far its Course Editor mode. The Course Editor mode gives you an unprecedented amount of freedom creating the course that hits all the right notes. You can choose which of the locales you want to build a course on, then cycle through an abundant amount of pieces to put everything together. Straightaways, curves, spiral loops, upside-down loops, speed boosts, interactive pieces, power-ups, orbs, diamonds…the options are tremendous. You can choose the height of the course and even place objects on and off the course to further add life to the course. Now, it should be noted that there is no tutorial in place to learn the Course Editor. However, there’s nothing here that can’t be figured out by spending 10-20 minutes playing around with the tools provided. You can test out your course, and then go back to editing seamlessly, tweaking each element to your liking. Once done, you will have to test the course and finish it to validate that it’s ready for uploading. When all is said and done, you will then name your course and once uploaded, it will be available for all Infinite Minigolf players. So if you make a course on the Switch version, PS4, X1 and PC players will be able to play your course as well. This universal connection for user-created content is outstanding and removes any restrictions of trying courses that all Infinite Minigolf players create.

Infinite Minigolf gives you a range of characters to play as, each with their own personality. Each character reacts differently to how they sink the ball in the hole with unique winning poses and one-liners. However, you can also create your own character. As you win tournaments and also level up throughout the game, you will earn cards pertaining to each set of clothing and gear. You will use these cards to unlock the clothing and gear you’d like equipped for your custom character. Hairstyles, shirts, pants, belts, shoes, clubs and golf balls are all customizable. This method of unlocking content is a bit of a grind though since you get randomized cards for tournament wins. There are even challenges you can complete that will earn your gold coins, which can be used to buy a pack of cards. It’s almost like having currency, to buy currency, to then buy items. Thankfully, there are no micro-transactions for this, otherwise there would be some serious currency-ception.

When not playing solo, Infinite Minigolf features both local and online multiplayer with support for up to eight players. You can take turns passing the controller around or have multiple controllers connected (as much as the console supports). What is really neat is that there are a variety of modifiers to tweak for a match. You can choose to play with Classic minigolf rules, unlimited ball jumping, the number of strokes allowed for per course, etc. You can even make things really wild by changing the ball type as an egg, pyramid, puck, cube, and more! This really makes things interesting, and downright hysterical. When playing online, the game has lobby support. Simply open your friends list, send an invite and they’ll jump right into your lobby. Like local play, you can fully customize your matches (should you play a Private Match) or jump into a public match with others. What’s interesting is that unlike local’s turn-based play style, everyone here putts at the same time. Once sinking the ball in, you can watch the remaining players finish the course. If it’s a custom course, you can even rate the course while waiting. The simultaneous play makes things frenetic, but you can make it more so by turning on the ball collision modifier. The overall online experience was quite smooth, especially on Switch.

There are a few issues to be found in Infinite Minigolf. First off is the grind mentioned above when unlocking gear. Second, when controlling the power meter with the right analog stick, there seems to occasionally be a delay in the meter correlating with the control stick sensitivity. You can adjust the sensitivity in the game’s options, but it seemed to still have a split-second delay somewhat. It’s not game-breaking by any means, but could be just a tad smoother. Third (and this is entirely dependent on user-created courses), there are times when people will place speed boosts next to a ramp. However, if the ball doesn’t go up the ramp fully and rolls back down into the speed boost, it’ll never be enough power to get it up the ramp. This leads to the ball being stuck in limbo and leaving you at the mercy of the game, praying that the ball will move enough to eventually stop and let you putt again. There’s an option to skip the hole, and that seems to be the best solution, but you’re penalized with getting zero points for the course. Now this is more of an issue if it’s an online match, whereas a local match you could easily restart the hole. Fourth, on the Switch, there is no voice chat support at the moment. Here’s hoping Zen Studios provides voice chat support through the Nintendo Online app (despite its choppy start).

Visually, Infinite Minigolf is a very vibrant looking game, with clean texture work. Characters have smooth animations, as do the objects on course and the ball itself. As mentioned earlier, the environments themselves are very well done and are great to look at. The game runs at a locked 30 fps and never dips below that, which is nice. In terms of audio, there is a variety of sound effects. Whether you are using a power-up, simply hitting the ball, collision with the various objects…it’s all fitting for sure. The music also does a great job of capturing the environments you will be putting in, as does the main menu track. The odd thing though is that when creating courses, the music will play once, and then never repeat…just sound effects play at that point. This also seems to occur when playing online and waiting for the player(s) to finish, the song will not loop until you’re back in-game for the next course. It seems to be a glitch that could use some patching. Outside of that though, the audio is very catchy.

Infinite Minigolf is a great minigolf game that should not be overlooked. It’s highly accessible mechanics really make the game an easy to pick up-and-play game of putt-putt. There’s more than enough in-game content here to keep players busy for sure, but the in-depth Course Editor is the main highlight without question. Couple that with the ability to play and share courses that are accessible on all platforms and you really have “infinite minigolf”. Despite some gripes, Infinite Minigolf cannot be recommended enough (especially Switch owners since it’s perfect for on-the-go gaming). It was very difficult to put the game down. Even when taking a break, I wanted to keep returning to play a few more rounds and create more courses.

Overall Score: 8.5 out of 10 = BUY IT!

A special thank you to the publisher for providing us a review copy for Infinite Minigolf! Copy reviewed on Nintendo Switch.

Enjoy our review? Be sure to follow us on Facebook and Twitter: @GamersXTREME for the latest in gaming news and reviews.

Curious to how our review system works? Check out the About section.

Overcooked: Special Edition Review (Switch) – “An Undercooked Disappointment”

Cooking games have garnered quite the fanbase over the years. Looking back to games like Cooking Mama or Ordered Up, to the now plethora of cooking games available on mobile devices, there’s no shortage in this genre. However, there is something that those games don’t have, multiplayer. The team over at Ghost Town Games have created a cooking game that pushes the concept of co-op play (and competitive), and has been a hit on PC, PS4 and X1. Now the game has reached the Nintendo Switch, but is it the version to get, or is this one dish that would make Chef Ramsey shut it down?

Overcooked’s gameplay has a simple concept: cook the food items customers are requesting. As you scramble through the various kitchens, you will have to fry, boil, grill, chop and plate your items. The game’s story is interesting, as you start off by cooking during the apocalypse and this serves (pun intended) as the tutorial. Afterwards, you are sent back in time (to the year 1993) to improve your cooking skills. It is here where you go mission-to-mission trying to get your bearing as a cook. You always have a partner in the kitchen, whether you play local co-op between 2-4 players, or solo with a partner-switching mechanic. The game’s controls are easy to grasp, with only a few buttons to remember: pickup/drop item, action (chop, clean, etc), dash, and partner-switching (only when playing solo). The Joy-Cons can be separated and used as a single controller, helping push the co-op nature of the game. The HD Rumble also works superbly here, enhancing the cooking experience with clever integration.

Overcooked: Special Edition not only contains the core game, but also two DLC campaigns to tackle (best experienced after beating the main campaign). If co-op isn’t your thing, you can also versus your friends in the kitchen and see who the best cook is. If playing online is your thing though, that’s not an option here. Understandably though, this is a game that works significantly better as a local multiplayer game than it would if there was online multiplayer.

Overcooked is a game that is meant to be easily accessible to players, but nabbing three-star ratings on each mission will require the communication skills of a head chef. In other words, you must communicate with your teammates to truly excel. Each environment is designed to take advantage of the co-op design. One character cannot do everything in the kitchen, otherwise not enough dishes will get sent out to hungry customers. Communication is key, as is precision. The kitchen tables are grid-based, so placing items down will snap to the direction you’re facing. When cooking items, you will have to pay close attention to their completion meter, as once that is done, you only have a 5-10 seconds to get it off the grill/pan before it goes on fire. At first this seems like ample time, but later levels make you feel the time pressure. Should things set ablaze, you will have to use the fire extinguisher to quickly put out the fire before it spreads throughout the kitchen. It’s chaotic for sure, but that’s part of the “fun”. I use the term lightly because that’s the thing, the game can be “fun”…if it weren’t for its performance.

Unfortunately, the game runs very poorly. While the other console ports and PC version run at a steady framerate, the Switch version performs at a disappointing 20+ frames per second. In a game about precision, this is inexcusable and makes playing the game more of an exercise in frustration. The constant framerate issues really hurt the overall experience. Whether playing docked or undocked, the framerate issues are more than present. The visual appearance and art style itself is simple, but certainly colorful and easy on the eyes. Nothing jaw-dropping, but an endearing looking game nonetheless. The various locales all have a unique setting and are well-designed, whether it be a restaurant, pirate ship, icy lake, or food trucks on a highway. In terms of audio, the sound effects all capture the sounds of being in a cooking kitchen. The chopping on the board, the grilling, boiling, and other key sounds really do a great job. The soundtrack is appropriate and hits the right notes for cooking, but is does get repetitive quick.

Overcooked Special Edition is a game that should’ve been a great fit for the Switch. It’s a shame because the core gameplay mechanics are solid and it seems like there’s a fun time to be had here. Unfortunately though, the poor framerate, and inconsistent controls due to frame drops, make this game a chore to play. This is one dish that is fairly undercooked…

Overall Score: 6.0 out of 10 = Wait for a price drop…

A special thank you to the publisher for providing us a review copy for Overcooked: Special Edition! Copy reviewed on Nintendo Switch.

Enjoy our review? Be sure to follow us on Facebook and Twitter: @GamersXTREME for the latest in gaming news and reviews.

Curious to how our review system works? Check out the About section.

RPG Maker Fes Review (3DS) – “Unlimited RPGs in the palm of your hand”

RPG Maker is a game creation tool that has been around for quite some time on the PC. Its ease-of-use and plethora of options have made it a popular application for RPG enthusiasts, and newcomers, to get their creativity flowing out there for others to experience. The latest release, RPG Maker Fes, is now opening the game creation series to the 3DS crowd. This release marks the very first time it is available to the handheld/console market. So, how did Kadokawa Games do handling the conversion to the 3DS?

Gameplay: 4/5

Game creation tools can be hit-or-miss when striking accessibility with the user. Some game creation tools may be a bit complex or convoluted, while others (like Super Mario Maker for example) are incredibly simple and intuitive to use. Thankfully, the team at Kadokawa Games have crafted the latter with a truly great interface that took very little time to grasp. When creating a game, there are a variety of elements you can choose to create: maps, events, items, etc.

When creating a map, you will choose the size of that specific map, as well as what type of design it is intended for. These vary from an overworld, town, dungeon, or house/castle interior. Each one provides specific assets that pertain to those styles. You can choose if you want to create each area from scratch, or tweak any of the sample layouts provided. Placing objects on the grid-style map is a breeze, whether using the D-Pad/Analog Nub and pressing the A button, or drawing on-screen with the stylus. You can open up a menu and see all the ground textures and objects you can choose to place on the map. You will also choose the song that plays for each map (and can change it at specific spots as well, but more on that later).

Now, placing objects on the map is nice and all, but it doesn’t mean a whole lot if you can’t tweak its interactions. This is where Event Settings come into play. Here is where some basic knowledge of logic is useful, but don’t worry, as there is no actual coding involved. In terms of basic knowledge, it’s a matter of understanding how to place events to trigger, when they should trigger, and the order of events that should kick off when the event starts. It’s honestly not difficult to grasp at all once you give it some time. However, the game does have plenty of preset events to utilize if you just want to get your creation going in a playable form as quick as possible. With events, you will be able to do numerous actions. These range from transitioning from a house to its interior, reading signs, opening treasure chests (as well as what you place in there), save points, and even dialogue scenes between characters. There’s plenty of options to utilize here without question. Again though, I cannot stress enough just how accessible this all is thanks to its simple interface.

The last component absolutely essential to your creation is the Database. Here you will be able to get all your assets together: characters, party, monsters, groups, encounter chips, skills, weapons, items, your game’s title and info. The level of customization in this area is very impressive. When creating a character, you can type in their name, add a nickname, their profession, a portrait of the character to display, and a description of them. Then you will be able to tweak all their attributes, what equipment they start off with, and their grow speed (i.e. how quickly they level up). Creating monsters is handled similarly, except you will be able to edit every stat they have: HP, MP, Attack, Defense, EXP, Gold, etc. Then you can place enemies on the map as either invisible encounter chips (like Final Fantasy) or create characters that are visible to encounter yourself. Unfortunately though, there is no pixel art editor, so you will not be able to draw/create your own characters from scratch. You will have to use preset characters and toggle their color variation.

Combat is the one area where customization is not as flexible to create. Combat is handled in first-person mode, so never seeing the characters battle is a bit of a bummer. There are plenty of combat animations to choose from that are assigned to each weapon. You can even choose how many times a move can attack in one sequence, whether it can hit one or more enemies, whether you can sell the weapon or not, and what the value of it goes for. This also pertains to other items like armor and accessories that can be equipped. You can also create Special Skills for characters to use, such as magic or deathblows. You can even choose from preset backgrounds to have when combat initiates. The customization aspects are still more than effective for combat sake, but just wish the combat wasn’t restricted to first-person perspective.

Creating a title and game info is a great touch to provide your creation. Here you can choose what audio to play at the main menu, the background image, and a border frame. You can even enter in credits to show everyone involved in your project. Additionally, you can enter in game info so that you can highlight what genre your game is (granted it’s always an RPG, but can vary based on the themes you set), as well as whether you’d like it as a public release, or one that’s locked/unlocked for editing by those who download it.

Testing your game is an essential component to ensuring everything works the way you intend it to. Doing so takes no time to kick off, and it always saves your changes before you start testing. During testing, you can actually hold a button to remove any collision detection so that you can quickly move around your maps. Literally every component works as if it’s the full build of your game, meaning you can even save the game at points and load it from there during testing.

One more element that needs to be mentioned is the free RPG Maker Player application that anyone can download from the eShop. This lets anyone download and play any uploaded projects that creators post through RPG Maker Fes for free. This is one of the best ideas to roll out here, as it lets people share their creations for friends or anyone on the server to download and enjoy, regardless if they don’t own the actual game itself.

Graphics: 4/5

RPG Maker Fes certainly pushes for that 16-bit art style that truly nails that retro feel. The pixel art is very well done, with great environment textures and simple, yet effective animations. The game’s combat is entirely in first-person perspective and feels like a missed opportunity to showcase some very cool looking combat animations for the characters. The game does run without any issues or hiccups at a locked 30 fps. Considering the grid-based movement, this is more than acceptable for this gameplay style. Overall, it’s a great looking game that captures the retro style.

Sound: 4/5

In terms of audio, RPG Maker Fes has plenty of arrangements to pick and choose from. Whether it be tracks tailored to exploring the vast lands, interior homes, dungeons, castles, or even ambience, there’s something here that will fit the needs of your creation. Audio effects are also very effective, whether in combat or placing certain audio cues to play during scenes or triggers. The selection is again, very well done. Much like the visuals and assets, this is all solely based on the “Fantasy” setting that’s the only choice initially. There is more content on the way that will expand on the overall options and combinations possible. Overall, RPG Maker Fes has a great audio package with tunes that you will find yourself having stuck in your head when not playing/creating the game.

Replay Value: 5/5

RPG Maker Fes is loaded with nearly endless possibilities. The amount of time you will stick with this to really get your creations going is staggering. If you’re the creative type, there’s no question you will lose countless hours perfecting your creation. When you’re not creating a game, you can easily access the network and download others’ creations uploaded on the servers. The fact that you have an endless stream (as long as the community sticks around) of RPG titles to play will no doubt keep you engaged. NIS America and Kadokawa Games will also be supporting even more assets and overall content to utilize, leading to even more diverse creations over time. Couple this with the fact that anyone who doesn’t even own this can download RPG Maker Player on the eShop for free and play anyone’s uploaded games, and you’ve got a very robust package.

Overall Score: 17/20 = 8.5 out of 10

RPG Maker Fes is a truly accessible game creation tool that fits the 3DS perfectly. If there’s ever been a perfect fit to have a game creation tool, the portable format is certainly the way to go. The amount of content available at launch here is already very impressive, and we can’t wait to see the content updates in the near future. Having the ability to create your own RPG with a very accessible interface is sublime, and despite some minor quirks, is a must-own for all creative enthusiasts. Even if you’ve never delved into creating your own content, the ease-of-access makes it very addictive to stick with from the get-go. Do not let this title pass you by. Now if we could also see a possible Switch version of this…

Pros:

+ Very accessible tools

+ Extensive content, with more to come

+ Downloadable RPG Maker Player so that anyone can play your games for free

+ Great retro vibe in terms of visuals

+ Incredibly engaging to stick with

Cons:

– First-person combat only

– No pixel art creation system

A special thank you to the publisher for providing us a review copy for RPG Maker Fes! Copy reviewed on Nintendo 3DS.

Enjoy our review? Be sure to follow us on Facebook and Twitter: @GamersXTREME for the latest in gaming news and reviews.

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Vaccine Review (Switch) – “Survival Horror like it’s 1997”


In the 90s, gamers were treated with a very welcome new genre in gaming, survival horror. While Alone in the Dark is theoretically the original 3D survival horror game, it was Capcom’s Resident Evil that truly garnered praise and popularity. Over the last two decades, the genre has changed immensely, trying to find immersive new ways to terrify players. However, fans of 90s horror games miss their fixed-camera angles and tank-style controls. Rainy Frog Games has created a survival horror nostalgic throwback to yesteryear, Vaccine. Is this 90s style survival horror game worth the trip back in time?

Vaccine takes place in a constantly changing, procedurally generated mansion. You will choose one of two operatives: Miguel G.P. or Rita O’Connor, both of which look like HUNK from Resident Evil. Upon starting, you are given a very brief plot that your friend is infected and you will need to find the vaccine to administer to them. You have 30 minutes to do this. As you scour the mansion, zombies and other deadly creatures are ready to rip you apart. You have no weapons on-hand, and must find any weapons in the environment to defend yourself with. There’s always a knife to pick up in the starting room, but firearms will be essential to your survival.

As mentioned earlier, tank controls are in full effect. You move forward holding up, backwards holding back, and turning left and right. You must aim your weapon holding one of the shoulder buttons, then pressing the action button to attack. You can aim up and down as well. It’s literally the same control scheme as the very first RE game. However, the movement controls do feel a bit floaty compared to RE’s tighter control.

The game brings some unique ideas to the table that changes the formula up a bit. For starters, the game is procedurally generated (as mentioned earlier). This leads to every single playthrough being an entirely different layout. Whether it’s the rooms connected in the mansion, the enemy placement, or items, no run will ever be the same. Next is the fact that you’re always on a time limit. In your first playthrough, you have 30 minutes. If you succeed, you will repeat the process (in a new layout) with only 20 minutes. Complete it a second time in a row, and you will then have only 10 minutes. Should you beat it three times in a row, the timer will diminish by 30 seconds each successful playthrough. If you die at any run, or run out of time, it’s game over and back to the very beginning. There are no checkpoints or save points.

Also unique is the XP system. For a game of this nature, it’s different to see that your character can upgrade their attributes in one of five areas: Determination, Stamina, Health, Aiming and Luck. Determination helps make picking up items, opening doors and reloading faster. Stamina lets you sprint for an extended period of time. Aiming increases the damage inflicted on enemies. Health increases your defense. And lastly, Luck increases your chances at better items appearing in each room. Each trait can upgrade to level 10 as the max. Every time you attack an enemy or open a door, you get XP. It doesn’t take very long to max out your stats…as long as you can stay alive.

Now the game is initially viewed as an endless survival game, where you keep repeating the scenario over and over. However, if players actually read the files left throughout the mansion, the story unfolds a bit. It’s through here where you realize there’s a deeper objective hidden in the game, rather than just always finding the vaccine and repeating the process. So yes, there is an ending to attain. However, the more you repeat the process, the higher your rank will get, which certainly helps the replay value. Even after beating the game and acquiring the “true” ending, I found myself coming back to better my records and see how far I could go up in rank.

Vaccine is certainly an homage to 90s survival horror, but the game does have some issues. First off, the character controls are a bit floaty and never really felt tight. It takes some getting used to, especially when the original RE’s had tighter character control. The next thing is that it can be a bit difficult to see items in rooms. They can occasionally shine a bit. Unfortunately, there are times the items are far away from the camera, making them minuscule on-screen. The camera also can lead to having a hard time distinguishing how far an enemy is from you (more specifically when having to knife them). You can aim up and down, but there’s no difference in damage dealt. Also, while I understand why there’s no map system in place, a map would’ve been great to have. There is also a puzzle in the game that starts off simple, but as you progress further, becomes a complete guessing game. The menu system can also be a bit confusing due to the actual highlighting of items being barely visible. Lastly, there are some grammatical errors in the game’s dialogue.

Vaccine is such a throwback, that it visually replicates the 32-bit era. While many will find the game “ugly”, it does a great job of showcasing the polygon nature of the visuals. Character models are blocky and jagged…and that’s how it was in that era. Even the font is jaggy. Animations on the other hand could be better and are quite jerky, even by 32-bit standards. It does runs at 60 fps most of the time. However, when playing in handheld mode, there were instances when multiple enemies in a room caused the frame rate to drop, as well as rooms with a fireplace. Playing on TV mode, the framerate dips were less evident. Audio wise, Vaccine has a great, haunting score that really lends to the experience. Audio effects for guns are powerful and knife stabs sound effective. There’s no voice acting, but there’s someone who announces the game’s title once you choose a character. Certainly a nice nod to Resident Evil or Alone in the Dark.

Vaccine is without question, a love letter to 90s survival horror, and that can’t be stressed enough. It’s not the lengthiest game, nor is it a very deep game. Yet despite the gripes I mentioned, what is here for the mere $10 asking price is quite enjoyable once you get past the learning curve. I found myself really enjoying the game the more I kept sticking with it. It’s certainly a niche game for a niche market…and that’s more than fine. It just needed a bit more polish before heading out the door.

Overall Score: 6.5 out of 10 = “Entertaining, but needs refinement/polish”

A special thank you to the publisher for providing us a review copy for Vaccine! Copy reviewed on Nintendo Switch.

Enjoy our review? Be sure to follow us on Facebook and Twitter: @GamersXTREME for the latest in gaming news and reviews.

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Oceanhorn: Monster of Uncharted Seas Review (Switch) – “A Link to the Wind Waker”

There’s no denying the impact that The Legend of Zelda has made in the video game industry. The sense of exploration, discovery, adventure, action…it all culminated in providing a rich gaming experience. Since that series’ conception, many others have tried to replicate that style of gameplay with their own twists. FDG Entertainment and developer Cornfox & Bros have done this with their new IP, Oceanhorn: Monster of Uncharted Seas. Is this Zelda imitator a journey worth setting sail for?

Oceanhorn is an isometric, action-adventure title that replicates the older Zelda style games. You control a boy, whose father goes missing on an adventure out at sea. It’s not soon after where you set forth on your journey to find him, and go after the monster of the seas, Oceanhorn. When starting the game, you will not have a weapon off the bat. You explore the home island, speaking with the townspeople and reading tutorial signs to help get you acclimated. You start by fending off enemies by throwing objects off the ground at them, until you finally acquire your trusty sword very shortly in.

If you’ve played a Zelda title, you will feel right at home with combat. You can simply slash at enemies with the Y button, and can block with your shield holding ZR. Weapons will not break, but you do have to watch your stamina bar. Blocking attacks will deplete this, which will certainly leave you vulnerable when fully depleted. Also, you can do a charged spin attack by holding down the attack button (which also uses some stamina). As you progress, you will get additional items/weapons such as a bow, bombs, magic, etc. These can be used to fend off enemies, as well as solve puzzles scattered through all the lands. Puzzles play a pivotal element in exploring these islands. There are just the right amount of hints in the environment to assist in these. There will also be boss battles that await. These battles each take advantage of specific items you earn in the area, while also providing a fair challenge.

When exploring the game’s fairly vast world, you will set sail between all the islands. Initially, there are not many locations to access. However, as you speak to NPCs and progress through the story, more islands will appear on the map for you to set sail to. Setting sail to these islands is a matter of simply clicking on the island of your choice when you are on your boat. The game will switch into a third-person view, with you being able to see all of what is ahead of you. You will use your Pumpkin Gun to fire away at any enemies and bombs that appear on your sail path, as well as crates that contain coins to earn. Sailing is handled automatically so you only need to focus on your surroundings. Given the fact that you won’t control the boat yourself, this automatic sailing is handled very well. Even when on course to an island, you can simply change course to a different island mid-sail, and the boat will quickly reroute to your new location.

As you fend off enemies, you will earn gems for XP. Earning enough XP will allow you to level up and acquire a new trait. These can range from holding more arrows and bombs, using less mana for magic, faster sailing, etc. More interestingly are the Challenges implemented for each island. When arriving on an island, you will be introduced to the name of the island when docking, as well as three challenges pertaining to that island. The challenges may occasionally be story-related, while others require certain stipulations to be completed. These may require you to swim a certain distance, use certain objects to kill “x” amount of enemies, etc. Completing these will net you a huge chunk of XP. Thankfully, leveling up never felt like a grind by any means, nor did it negatively affect progressing through the game at all.

Oceanhorn does have a few gripes that are worth mentioning. First, and foremost, the game was originally a mobile title, and it shows a bit here. While the conversion to console is incredibly well done, the game’s menu system feels catered more to a touch-screen than a physical controller. Thankfully, you can quickly select items using the D-Pad in real-time. There’s a map on the corner of the screen showing a segment of the surrounding area, but unfortunately you cannot view a map of the entire island or cave. Also, there are times where certain quests require you to carry an item, but require backtracking at a slower pace due to actually holding the item. While theoretically that’s more realistic than pocketing a bucket of fire (for example), it does make for a slightly tedious process. The dash button is also the same as the interact button, and there were times I wanted to dash but instead ended up picking up an item, talking to someone or opening a door. Given that console controllers have the extra buttons, it would’ve been better suited to map the dash button separate from the interact button. Lastly, there is no HD Rumble support here. All-in-all though, these gripes are far from game breaking and are just minor nuisances.

Visually, Oceanhorn is an immensely nice looking game. The world is incredibly vibrant and vivid, with great art style and nice texture work. Animations are solid for the most part, but it does show its limitations derived from the mobile hardware it was built for originally. I cannot stress enough though how smooth the game runs. Native 1080p and a rock-solid 60 fps really make this game pop on-screen. The lush greens and beautiful waters you will be venturing through really are eye-candy. Even when playing in 720p undocked, it looks terrific and still maintains the locked 60 fps. While the character models up close (during cutscenes) may not be the most detailed aspect, they’re still more than fine during gameplay. Audio wise, Oceanhorn has an adventurous, orchestrated score done by composers Kenji Ito (Secret of Mana series) and Nobuo Uematsu (Final Fantasy series). The tunes here definitely do a great job capturing the game’s setting and tone, with the final boss song being the best of the bunch. Whether exploring the town of Tikarel, or the aquatic Gillfolk’s Drop, each composition fits the game superbly. Sound effects are also well done and hit all the right notes, whether attacking with a sword, exploding bombs, defeating enemies, or collecting items. There’s even voice acting during cutscenes that is pretty solid.

Oceanhorn may be a heavily-inspired Zelda clone, but that’s not a bad thing when executed correctly. The overall package found here is very well polished, with great visuals, interesting lore, superb audio, and addictive gameplay. For only $14.99, there’s plenty of content here to keep you engaged. Oceanhorn effectively works with the classic Zelda style gameplay, taking nods from “A Link to the Past” and “Wind Waker”. They say “imitation is the sincerest form of flattery”, and it clearly shows here. Fans of adventure games should not hesitate to pick this title up for their Switch collection.

Overall Score: 8.0 out of 10 = BUY IT!

A special thank you to the publisher for providing us a review copy for Oceanhorn: Monster of Uncharted Seas! Copy reviewed on Nintendo Switch.

Enjoy our review? Be sure to follow us on Facebook and Twitter: @GamersXTREME for the latest in gaming news and reviews.

Curious to how our review system works? Check out the About section.

Danger Zone Review (PS4): “It’s Crashin’ Time”

Cars, explosions and mayhem are a recipe for disaster in the best way possible when it comes to entertainment. Danger Zone, a spiritual successor to Burnout’s Crash Mode, has just released for the PS4 courtesy of Three Fields Entertainment (comprised of creators from the Burnout series). This downloadable title is a return to what they know how to do best: Create a game about causing the most amount of destruction possible with your car. Is this downloadable spiritual successor a worthy return?

Danger Zone is designed to heavily resemble Burnout’s Crash Mode. For those who never experienced this phenomenal mode in the racing series, Crash Mode was about driving into a heavily congested traffic environment to cause the biggest accident possible. Danger Zone literally creates the same premise for the new generation. However, opposed to driving in living environments and cityscapes, you are driving in a virtually simulated environment.

When starting an event, you will see an overview of the simulated roads and traffic to give you an idea of how to plan your big crash. Taking control of the car, fans of Burnout will be right at home, with the tight controls and physics. Once ramming into another car, you can still control your totaled vehicle with the left analog stick and sway it in the desired direction. However, you can only do this for as long as there is momentum in the wrecked vehicle. This is essential to trying to nudge a car into another lane, or even trying to collect items like bonus cash and Smashbreakers. Smashbreakers are exactly like Burnout’s Crashbreakers. This will allow you to explode your vehicle and any other cars within the radius, while giving you control again to push your vehicle elsewhere. Trying to grab Smashbreaker icons along the course is key to stringing together some crazy combos. Also, you need to try and be careful not to fall off the track. Falling off will derezz your car and your run will be over immediately. You will have to earn a certain amount of money in an event to score either a bronze, silver, gold, or platinum medal for the run. You can simply progress to the next event by at least obtaining a bronze. Gradually, the game’s events will become more intricate. This will require further creative ways to cause mayhem in order to advance. Each run though takes no more than a minute or two to see fully unfold, which makes this great for pickup-and-play aspects. 

Now as fun as this all is, Danger Zone comes with some issues. First off, the biggest issue is the lack of personality. While the game is supposed to have a “test facility” setting, it just feels devoid of personality. The fact that this is the only environment you will see in the game is lackluster. Also, you only get to use the one test car the whole game. There are no local or online multiplayer modes what-so-ever either. It does have leaderboard support, but a game like this would certainly gather friends together to try and compete to who can cause the craziest crash. Lastly, not that this affects the overall score, but the lack of a platinum trophy is a bit of a bummer.

Danger Zone runs on Unreal Engine 4, and everything looks very well detailed. Cars have details to them when crashing, whether some scrapes on the side or the cars themselves actually charred up from fire. There’s nice shading and lighting, as well as sharp texture work. The animations and physics are very appropriate and have a good weight to the carnage happening on-screen. Interestingly, the game runs at 30 fps, while the game’s main menu runs at 60 fps. While it’s intense seeing all the crashing occur, the Burnout games were able to maintain 60 fps during gameplay, with more happening in the environment. This has a lifeless environment with not much happening to prevent 60 fps. Does it affect the overall gameplay? Not necessarily…but it’s noticeable. The audio effects are crisp, with the engine echoing in the opening tunnels, cars crunching into each other, tires screeching, car alarms going off, and explosions going on. The audio is great without question…but there’s not an ounce of music to be found in the game. I can understand no music playing during the crash event itself, but zero music for the main menu or results screen feels lacking.

Danger Zone is a fun title that brings back Burnout’s glorious Crash Mode, but isn’t without its shortcomings. The gameplay is crazy fun and it’s great for pickup-and-play sessions. Unfortunately, the issues mentioned do detract from the overall package, with the worst being the game’s lifeless simulated environment. Despite its shortcomings though, Danger Zone is a title that still is worth a shot and very reasonable for $12, especially if you’re a big fan of Burnout’s Crash Mode.

Overall Score: 7.0 out of 10 = BUY IT!

A special thank you to the publisher for providing us a review copy for Danger Zone! Copy reviewed on PlayStation 4.

Enjoy our review? Be sure to follow us on Facebook and Twitter: @GamersXTREME for the latest in gaming news and reviews.

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Cave Story + Review (Switch): “A Story Worth Telling”

Cave Story + is the latest hit indie to get a full retail release on the Switch by publisher Nicalis. Cave Story first released as a PC freeware project back in 2004. Creator Daisuke “Pixel” Amaya single-handedly crafted every detail in the game back in its initial release. Since then, the game has received various enhanced ports over the years, whether it be for the WiiWare, DSiWare, 3DS, Steam, and now Nintendo Switch. Is this story worth visiting?

Story: 4/5

Right from the start, you control a character named Quote, an amnesiac with no idea as to who or where you are, nor what’s going on. You find yourself in a mysterious cave without any weapons to start with. As you progress, you come across creatures known as Mimigas, a bunny-like civilization that seems to be dwindling in numbers. In speaking with them, you will start to hear bits and pieces as to what is going on, and just how pivotal your character’s role prior to his amnesia played. There are a cast of characters that really help flesh out the game’s plot, with several twists and turns that keep you constantly wondering and wanting to see more unravel. What are the red flowers? Who is Sue? What are the massive eggs in the Egg Chamber? Who is the Doctor? These are but a few questions that kick things off early on. Also, certain actions and choices you make in the game will affect your ending. It’s difficult to really get further into the story without ruining the surprises ahead, but what’s here is truly great and enticing. The main gripe here is that you cannot immediately skip cutscenes after at least watching them once (more on that later on).

Gameplay: 5/5

Cave Story + is, for all intents and purposes, an enhanced version of the original game. However, there are still many who may not have experienced Cave Story to this day, so lets cover the game’s framework and mechanics first. Cave Story is a 2D homage, action-adventure platformer, akin to Metroid where exploration is rewarded. It plays very much like an 8-bit game, with all the mystery and intrigue of discovering elements on your own, but providing just enough knowledge to get you going. You will traverse the various locations within the cave, finding health capsules to increase your health, weapons to further defend yourself, and useful items that will help you progress through the environment.

Controlling Quote feels incredibly responsive and simple. You have your jump and shoot buttons, with the shoulder buttons letting you cycle through weapons on the fly. If you do not have the Pro controller, no worries. The Joy-Cons felt just as great (and dare I say I preferred this control method). Platforming itself feels tight and fair. If you miss a platform, it’s not the game’s fault, but rather your miscalculation. Quote can wield a variety of weapons to defend himself. You will first acquire the Polar Star, a pistol-like weapon. Throughout the journey, Quote will wield missile launchers, blades, machine guns, flamethrowers, and a few others. Enemies drop gold gems, that when collected will fill up that currently equipped weapon’s level gauge. Each weapon can be leveled up to three times. Each level radically changes the way the weapon fires. Even their uses may change. For example, the machine gun not only gets more powerful, but by it’s third level, can be used as a jetpack of sorts. Each of the game’s weapons are a blast to use and quite creatively designed. While some weapons have ammo for them, you will rarely have to worry about collecting ammo. Ammunition regenerates at a rapid rate (except for the missile launcher, the only weapon with ammo to collect for). Careful though, as taking damage will begin to diminish the equipped weapon’s level meter, so it can drop down level.

Cave Story is a challenging game that screams old-school. While the game does offer multiple difficulty settings, you will be challenged even on the easy setting. Whether the boss battles test your skills, or the clever level design’s platforming does, it really nails that 8-bit, old-school feel. There are no checkpoints at all as well. The only means of a checkpoint are finding floppy disks to save your game. If you die, you will reload at the last save point. Thankfully, save points are not too few and far in between. The most impressive element that truly harkens back to the old-school gaming days is how your adventure unfolds. Certain character interactions and item swapping can affect the weapons and items you will carry to the end of the game, as well as alter the game’s ending. Holding onto one weapon, may benefit you in the end game, as opposed to trading it in for someone else’s weapon. Picking up certain items that seem useless may actually help in a way you didn’t expect. NPC interaction is a massive element to the game. You need to initiate the conversations with NPCs to see if that will provide a choice factor, or provide hints to assist in your adventure. The game’s pacing is also sublime. Never at any single moment did the game feel like it dragged or had filler just to extend the game’s length.

Upon completing Cave Story with the “best” ending or with certain elements completed in the story, there are a variety of extra modes and content unlocked. First off, you can unlock an additional story mode called Curly Story. This lets you experience the game as Curly Brace, who will have more dialogue in place where Quote never spoke. Additionally, there are Challenges to access in the main menu and even an unlockable Boss Attack mode. These challenges have leaderboard support as well. For this Switch version, two-player co-op is being added later this summer.

As superb as Cave Story’s gameplay is, there were two things that stood out as minor irritants. The first was the lack of being able to skip cutscenes. When you watch a cutscene, then start a boss battle, die, and then reload your game, to only have to keep pressing A to somewhat speed up the dialogue…well, that can be a bit tedious. The second is that while there is a map system, it’s absolutely minuscule to understand, whether playing on the TV or the Switch itself. While I rarely ever resorted to it, the times I pulled it up I couldn’t help but wonder why it was so tiny. Despite these two elements though, that doesn’t hinder Cave Story from being an absolutely addictive game that’s immensely difficult to put down. Upon completing the game the first time, I immediately started up a second file to replay the game and try to acquire a different ending and make different decisions to change up the game. Not many games achieve that nature.

Graphics: 5/5

Cave Story + is a beautifully vibrant and clean upgrade from the original Cave Story. Everything looks crisp and smooth, whether in 1080p on the TV or 720p undocked on the Switch. All characters have nice animations and better detail than ever before. Environments are also incredibly well designed, with each area having great detail and variety to help each locale look and feel unique. Even the water reacts smoothly to when Quote submerges and surfaces. All this, while also running at a locked 60 fps, really makes the game look stunning. The only aspect that would’ve been a nice additional option would be if you were able to change the graphical styles to that of the previous versions (even the 3DS’s polygonal look).

Sound: 4/5

The game’s chiptune soundtrack accompanies the action on-screen very well. Whether it be upbeat or somber tunes, each track fits well for the most-part in the areas and scenarios presented. While not every song stood out, what’s here is still very good. Sound effects also fit just right, with each weapon sounding unique and pertaining to the style weapon it is, the explosions, and the selection tones. A really nice touch is being able to choose from four versions of the game’s soundtrack: Cave Story +, Remastered, Famitracks, or Organya. Personally, I enjoyed Remastered the most of the four. You can even listen to the game’s Jukebox and hear each track’s version.

Overall Score: 18/20 = 9.0 out of 10

Cave Story + is a fantastic game that still holds up all these years since it’s original release. The gameplay is addictive and downright superb, the visuals are stunning, and the story is very engaging. The game’s constant mystery and sense of discovery replicates that of the golden days in gaming. If you’ve never experienced Cave Story before, there’s never been a better time. If you’ve played through the game already, investing in the awesome physical copy (which includes CD soundtrack and full-color instruction booklet) is certainly worth the $30 price tag.

Pros:

+ Sublime gameplay
+ Engaging story
+ Various soundtrack versions to choose
+ Free future DLC
+ Excellent physical copy packaging to outweigh digital version

Cons:

– Unskippable cutscenes (when replaying sections)
– Map system is minuscule
– We have to still wait for two-player co-op mode

A special thank you to the publisher for providing us a review copy for Cave Story +! Copy reviewed on Nintendo Switch.

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